“Die Poetik einer transzendentalen Deduktion: Das Ich bei Tawada und Kant” (The Poetics of a Transcendental Deduction: The I in Tawada and Kant).Text + Kritik. Zeitschrift für Literatur. Yoko Tawada. VII, no. 191/192 (2011): 94-98.
Forthcoming 2016 The Fabric of Indigeneity: Contemporary Ainu Identity and Gender in Colonial Japan. School for Advanced Research Press: Santa Fe, NM. (single-authored monograph)
2014 Beyond Ainu Studies: Changing Academic and Public Perspectives. Co-editor with Mark Hudson and Mark Watson. Honolulu: University of Hawai’i Press.
2014 “The Gender of Cloth: Ainu Women and Cultural Revitalization.” In Beyond Ainu Studies. Co-editor with Mark Hudson and Mark Watson. Honolulu: University of Hawai’i Press.
2014 “Introduction.” Co-authored with Mark Watson. In Beyond Ainu Studies. Co-editor with Mark Hudson and Mark Watson. Honolulu: University of Hawai’i Press.
2010 “Beyond Feminism: Indigenous Ainu Women and Narratives of Empowerment in Japan.” Edited by Cheryl Suzack, Shari M. Huhndorf, Jeanne Perreault, and Jean Barman. In Indigenous Women and Feminism: Culture, Activism, Politics. Vancouver: University of British Columbia Press, pp. 152-180.
2009 “Bones of Contention: Negotiating Anthropological Ethics within Fields of Ainu Refusal.” In Politics and Pitfalls of Japan Ethnography: Reflexivity, Responsibility, and Anthropological Ethics. Jennifer Robertson, ed. London: Routledge, pp. 3-24.
신화속고토복원을위한유적탐색:메이지시대한반도에서의고고학과 미술사학적조사(1900-1916)(Reclaiming the Ruins of Imagined Imperial Terrains: Meiji Archaeology and art historical surveys in the Korean peninsula (1900-1916).” 일본의발명과 근대 ( The Discovery of “Japan” and Modernity), pp. 247-284, Edited by Sang-in Yoon and Kyu-tae Park, Seoul: Yeesan Publishing Co. 2006 (Book chapter in Korean).
2017. “On Shame, Contempt, and Care: Eco-politics and Affect Theory in Ōe’s Post-Fukushima Activism.”Ecocriticism in Japan, ed. Hisaaki Wake, Keijiro Suga and Masami Yuki. Rowman & Littlefield. 121-138.
2019. “Humanism and the Hikari-Event: Reading Ōe with Stengers, in Catastrophic Times.” Accepted 8/5/17 atpositions asia cultures critique. Reprint: Literature after Fukushima, ed. Linda Flores, Routledge (forthcoming).
“From Resplendent Signs to Heavy Hands: Japanese Painting in War and Defeat, 1937-1952” in J.Thomas Rimer, ed. Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000 (Honolulu: University of Hawai’i Press, 2012): 124-143.”
“Kuniyoshi’s Choice,” in Omuka Toshiharu, ed., Ishii korekushon kenkyu: Kuniyoshi Yasuo, [Ishii Collection Studies: Yasuo Kuniyoshi] vol. 2, Faculty of Art & Design, University of Tsukuba, Japan. English and Japanese. 2013.
“Overtly, Covertly, or Not at All: Putting ‘Japan’ in Japanese American Painting” in C.Mills, L.Glazer, A.Goerlitz, eds. East-West Interchange in American Art: A Long and Tumultuous Relationship (Washington, D.C.: Smithsonian Institution Scholarly Press, 2012): 112-125.